by Bremen Vance (Original) Teaching writing requires instructors to address a question that does not have a clear answer: what type of writing should students…
Category: The CEA Critic
by Maurice Suckling (Original) In his essay on the board game Twilight Struggle (TS) from Pat Harrigan and Matthew G. Kirschenbaum’s 2016 collection Zones of…
by Samantha Blackmon () The beginning of the twenty-first century has seen race and race relations in the United States of America return to days…
by Luke A. Iantoro (Original) “While you observe from a distance the great drama which is acting in France, I am a spectator of the…
by Ambereen Dadabhoy (Original) Critical consensus about William Shakespeare’s The Tempest (1611) locates the play’s anxieties and investments within an imperial and colonial milieu.1 Indeed,…
by Barbara Vrachnas (Original) Sir Walter Scott in his 1827 Chronicles of Canongate wrote about the futility of card-playing and gambling and how such activities…
by Robert Sirabian (Original) In London Labour and the London Poor (1851, 1861–2), Victorian social historian Henry Mayhew includes the section “Pickpockets and Shoplifters” in…
by E. Leigh Bonds (Original) In her 1775 “Letter to a Friend on Leaving Town,”, Mary Robinson decries the origin of the fashionable female gamester:…
